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Abortion

Political Hermeneutics: The Argument From Silence, Part 2

Click HERE for part 1. III This leads to a further question. I have argued that silence cannot by itself establish a Scriptural principle, but does Scripture’s silence carry any weight in itself? Does the fact that something is unbiblical in a weak sense tell us anything at all? In…

by Peter LeithartMarch 13, 1990
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Biblical Chronology

Groping Through the Gaps

Although nowadays gap theories are associated with dispensationalism, it was not always so. In the nineteenth century, scholars from a variety of backgrounds (Anglican, Reformed, and proto-fundamentalist) seem to have become fascinated by gaps. If you are not familiar with what I am talking about, this newsletter will acquaint you…

by James B. JordanFebruary 26, 1990
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Abortion

Political Hermeneutics: The Argument from Silence, Part 1

If the debate over Operation Rescue has proven anything, it has proven that there is absolutely no consensus among evangelicals in general, or among "reconstructionists" in particular, about how to use the Bible to judge political actions and movements. Each side of the debate claims biblical authority for its position,…

by Peter LeithartFebruary 13, 1990
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Biblical Studies

Advice From a Sojourner, Part 4

Two things I asked of Thee, Do not refuse me before I die: Keep deception and words of falsehood far from me, Give me neither poverty nor riches, Feed me with the food that it my portion, Lest I be full and deny Thee, And say, "Who is the LORD?"…

by James B. JordanFebruary 2, 1990
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Biblical Horizons

Foucault’s Pendulum

Umberto Eco’s "The Name of the Rose" was certainly one of the best literary works of the past decade, though the film version hardly measured up to it. Now Eco has given us a new novel, "Foucault’s Pendulum." Like Rose, Foucault’s Pendulum reflects on the limitations of human knowledge, and…

by James B. JordanJanuary 26, 1990
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Biblical Studies

What Is “Interpretive Maximalism”?

From time to time people ask me about "interpretive maximalism." They want to know what it is, and sometimes want to know if it represents some departure from the Reformed grammatico-historical, Biblico-theological approach to the Bible. I have something of a problem with these questions, because "interpretive maximalism" is not…

by James B. JordanJanuary 26, 1990

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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