Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I mentioned last month ( BH 82) in my essay "Like a Dove" that Genesis 8 is a recapitulation of Genesis 1. Let me explicate that assertion here. Of course, the world after the Flood is a new creation, so we may expect a recapitulation of the first creation. It…
The book of Esther is one of the most neglected of the books of the Bible. To be sure, sermons are preached on it, and commentaries have occasionally been written on it, but almost without exception Esther has been interpreted in isolation from the rest of Biblical history, chronology, and…
Dear Mr. ______, . . . Here is how I look at the geocentricity question. Since I don’t recall what I wrote you before, I may be repeating some things. 1. The Bible does not teach it. Biblical passages used to support the idea are being misinterpreted. My original paper…
Answer 4 of the Westminster Shorter Catechism is often taken as a magnificent answer to the question, "What is God?" It reads: "God is a Spirit, infinite, eternal, and unchangeable in his being, wisdom, power, holiness, justice, goodness, and truth." Presbyterians are fond of praising this statement, preaching on it,…
The gospels tell us that at Jesus’ baptism, the Holy Spirit descended upon Him "in bodily form like a dove" (Luke 3:22 & parallels). Biblically sensitive commentators have associated this event with three Old Testament parallels: (1) the hovering of the Spirit over the creation in Genesis 1:2; (2) the…
This they said to test him, that they might have some charge to bring against him. Jesus bent down and wrote with his finger on the ground. (John 8:6) The story of the woman taken in adultery (John 7:53-8:11) has been part of the canonical Christian Bible from its earliest…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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