Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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Early in his Tragic Sense of Life , Unamuno captures the profound connection between autonomy and tragic character in a passage of hyperventilating passion: “The visible universe, the universe that is created by the instinct of self-preservation, becomes all to narrow for me. It is like a cramped cell, against…
There’s something chiastic going on in 3:19-31 (or maybe 2:25-3:30). A. by works of law no flesh shall be justified, 19-20 B. Apart from law, righteousness of God is revealed, 21 C. righteousness through faith in Jesus—> for all have sinned, 22-23 D. being justified as a gift through Jesus…
A touch of Spenserian humor: Spenser has a witch create a false Florimell (Book 3) for her slothful and unattractive son, who is smitten with the beauty of the real Florimell. The witch uses materials from Petrarchan love sonnets to construct the lady ?Eactual lamps for eyes, actual golden wire…
Spenser might provide a Milbankian response to Milbank’s endorsement of homosexual sex and “threesomes.” In Book 3 of The Faerie Queene , Spenser’s heroine is Britomart, the lady knight who represents a militant chastity directed toward marital and sexual consummation rather than a fearful virginity that simply avoids sex. Britomart…
William Allan Oram in a book on Spenser writes that “one of the fruitful false etymologies of the Renaissance was the derivation of HERO from EROS: by this understanding, love does not hinder noble deeds but spurs them on.”
Also in the November 7 TLS (belatedly on my desk) is a review of Lukas Erne’s Shakespeare as Literary Dramatist , in which Erne challenges the popularly accepted notion that Shakespeare was writing for viewers rather than readers. He shows that plays were being written for publication in Shakespeare’s time,…
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