Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Optimism is “an inclination to put the most favorable construction upon actions and events or to anticipate the best possible outcome.” 1 On the other hand, pessimism is “an inclination to emphasize adverse aspects, conditions, and possibilities or to expect the worst possible outcome.” We can see that optimism and…
If we wish to understand the Tree of Life and the Tree of the Knowledge of Good and Evil, we must begin with seeing them as a part of the creational order. Trees, along with plants and seed-bearing things, come to life by the word of God as part of…
“I chant slips and irreversible disasters, wiltings, failures, scars, the little disappointments and the large, blue streaks down a world that wishes it was only suncolors.” Paul J. Pastor from Kintsugi Song I recently lost something very valuable. Something I’d had for years and used every day. But, it wasn’t…
In his eponymous book, Jonah follows an exodus pattern. He travels through the waves and east of the city into the wilderness. On a first reading, it looks like another use of this common literary shape in the Old Testament: salvation through the waters of death and the wilderness of…
“Everyone serves the good wine first, and when people have drunk freely, then the poor wine. But you have kept the good wine until now.” The unknowing master of ceremonies didn’t know how right he was. We see this play out in John’s apocalypse. The end is like the beginning,…
Read in isolation, The Test of Adultery (Num 5:11-31) presents the reader with a seemingly bizarre ritual, conjuring up ideas bordering on the Salem Witch Trials. Beyond this, pressing questions linger—such as, “Why is the woman in particular singled out, while no test is provided for the husband of a…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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