Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
It’s a simple point, obviously biblical and creedal: Jesus of Nazareth ascended into heaven as the God-man, and He remains the God-man in all his specific particularity from now to the end. He is Jesus the Christ, the same yesterday, today, and forever. Duh! But Douglas Farrow shows in his…
You can now register for the very first Trinity House intensive class, "How to Read the Bible," taught by James Jordan and Peter Leithart. There will be a kick-off welcome for students on the evening of Sunday, August 25, and the class will be held at Trinity Presbyterian Church ,…
This series of essays will address the food laws in Deuteronomy 14:1-21. To some, this may seem like a work of supererogation. After all, why should a Christian be interested in outdated “laws” from the book of Deuteronomy? I hope to show that meditation on this portion of Scripture is…
This essay was first published in 2011 in Credenda/Agenda . Isaiah 24 begins the section of Isaiah known as the “little apocalypse.” It’s a good name for this chapter. It’s a text of terror. The world is coming apart at the seams. The earth is emptied; and not only that,…
This article was first published in 2010 in Credenda/Agenda . In recent years, mainstream theology has begun to recognize the disaster that followed from the Marcionism of classical liberalism. R. Kendall Soulen is a leading figure in efforts to restore the importance of the Old Testament to Christian theology. In…
This is the last in a series of studies on Deuteronomy 22:30-23:8. In this series, I have offered an interpretation of Deuteronomy 22:30-23:8 which suggests that a simple surface reading of the text does not do justice to Moses’ or God’s intention, that the larger historical and legal context in…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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