Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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English fairs in earlier centuries displayed wares and displays from all over the world. At one there was an animal described as “a noble creature, which much resembled a Wild Hairy man” whose main skill was to doff his hat and show “his respects to the Company, and smoaks a…
Much of the moral and political import of Shakespeare’s Henry V is left to the audience’s or reader’s judgment. Is Henry a “pig” or is he the mirror of Christian kings? Is his invasion of France fair or foul? Shakespeare doesn’t show his hand, or not much; and one is…
George Barnam notes the careful structure of Act 5 of Shakespeare’s Coriolanus: “Shakespeare had used this scene structurally to build the tension toward the climactic moment when Volumnia should appeal to her son and prevail. Three appeals are made to Marcius, and Shakespeare’s presentation of them matches in structure the…
A reader wrote to respond to my suggestion that high culture is “sacred” and pop culture “profane,” citing the example of sports. Here’s my response: A football game often is a quasi-religious experience, but I’m not sure we use the same language to describe it. If someone slashed da Vinci’s…
In their “cultural history” of English drama, Simon Shepherd and Peter Womack summarize the argument of Glynne Wickham concerning the divorce of stage and sacred: “The English stage - so the argument runs - was predominantly a religious one until Elizabethan Protestantism forced a separation between theatre and the central…
As Marsden describes it, the growth of neoclassical literary sensibilities developed in part in reaction to the chaos and disorder of the English civil war - following in this regard the development of late 17th century political theory. Orderliness, definiteness, clarity became virtues, while ambiguity, double entendres, and inconclusiveness became…
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