Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Inspired by the “Moscow Mood” Debate In a shocking 1961 study, Yale psychologist Stanley Milgram would don an official-looking white lab coat and tell a volunteer to administer increasing shocks to another “volunteer” in an adjacent room strapped into an “electric chair” just out of sight. The shocks were incrementally…
My title and the substance of the article are borrowed from a section of David Wenham’s excellent book, Paul: Follower of Jesus or Founder of Christianity? I am appropriating ideas from the pages in his book which address the question, “Why Does Paul refer to Jesus’ Life and Ministry so…
Some of us may be familiar with the notion that the epistle of James is like a New Testament version of Proverbs or other wisdom literature. According to this line of thinking, the epistle of James (together with the other wisdom literature) is basically a collection of timeless sayings without…
This summer I started walking a long trail that ran north from our home. On my best days, I would walk a total of five miles at a brisk pace. This trail follows the power lines that serve a significant portion of North Dallas and stretches far past the two…
I am an Australian. I went to the American Academy of Religion mega-fest last year to meet up with some friends, to present a paper at a ‘science and religion’ panel, and to marvel at the sheer scale of how Americans do things. It was quite a ride. Looking at…
Part 1 Part 2 Part 3 We evangelicals do not often understand the roles of men and women in ministry. Because our consumerist culture has gutted the notion of family as it was historically understood, all Biblical passages about women in church ministry (a familial organism) are almost incomprehensible to…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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