Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Why there is more to Jephthah than meets than eye It was not that long ago that I realized the Jephthah-story and the Jesus-story were basically the same story. Sounds crazy, I know. But here is a one-paragraph synopsis of both: The people of God have gone their own way,…
G.K. Chesterton famously said that the Gospels don’t reveal Jesus’ mirth. It’s true we never catch Jesus laughing. But can we believe He never did? I don’t think so. Laughter is human, and Jesus was fully human. Jesus promised that those who mourned would laugh. He mourned; would He not…
Matthew 2 has all the elements of an exodus story. There’s a murderous king, who slaughters Jewish babies. There’s a infant who will be Israel’s future deliverer, saved from the murderous king so He can later return to save His people and lead them to the Promised land. There’s an…
The calendar of Israel was primarily theological, centered on commemorating the salvific acts of God, but also agricultural, celebrating the creation-restoring effects of those salvific acts. The feasts of the first month celebrated the reviving of the world in the Spring, and typified the cutting off of the Savior in…
The chiastic shape corresponds to the shape of human life. This should not surprise us, because we are made in the image of God, and God is manifest in Word and Spirit. If we are living epistles, our lives will look a bit like the literary shape of the books…
Back in January, Venkatesh Rao wrote a fascinating post on the Ribbonfarm blog, discussing different forms of models of narrative. Engaging with Ursula LeGuin’s talk ‘The Carrier Bag Theory of Fiction’ , Rao explores her contrast between the (male) ‘hero narrative’ and the (female) ‘carrier-bag story’, and suggests a third…
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English fairs in earlier centuries displayed wares and displays from all over the world. At one there was an animal described as “a noble creature, which much resembled a Wild Hairy man” whose main skill was to doff his hat and show “his respects to the Company, and smoaks a…
Much of the moral and political import of Shakespeare’s Henry V is left to the audience’s or reader’s judgment. Is Henry a “pig” or is he the mirror of Christian kings? Is his invasion of France fair or foul? Shakespeare doesn’t show his hand, or not much; and one is…
George Barnam notes the careful structure of Act 5 of Shakespeare’s Coriolanus: “Shakespeare had used this scene structurally to build the tension toward the climactic moment when Volumnia should appeal to her son and prevail. Three appeals are made to Marcius, and Shakespeare’s presentation of them matches in structure the…
A reader wrote to respond to my suggestion that high culture is “sacred” and pop culture “profane,” citing the example of sports. Here’s my response: A football game often is a quasi-religious experience, but I’m not sure we use the same language to describe it. If someone slashed da Vinci’s…
In their “cultural history” of English drama, Simon Shepherd and Peter Womack summarize the argument of Glynne Wickham concerning the divorce of stage and sacred: “The English stage - so the argument runs - was predominantly a religious one until Elizabethan Protestantism forced a separation between theatre and the central…
As Marsden describes it, the growth of neoclassical literary sensibilities developed in part in reaction to the chaos and disorder of the English civil war - following in this regard the development of late 17th century political theory. Orderliness, definiteness, clarity became virtues, while ambiguity, double entendres, and inconclusiveness became…
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