Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The trailer for the latest Star Wars movie, Rogue One: A Star Wars Story , was released last week. Following the success of the revival of the franchise in last year’s Star Wars: The Force Awakens , anticipation is unsurprisingly at a fever pitch. As in the case of The…
The word, “integration,” can sound abstract, technical, unhelpful. But as I represented it in my first installment on this matter , I take it instead to be the central desire of our lives. We long to integrate life, and to integrate ourselves. I offered as a preliminary definition, that integration…
Anyone who has read his Bible straight through has done it. Admit it. When you get to those parts in Exodus that deal with the instructions for and construction of the Tabernacle, your eyes glaze over and your mind begins to wander. Measurements, lists of materials, meticulous details about clothes…
This article is a continuation of James Jordan's article, " From Bread to Wine ". We will here investigate the use of the word “cup” for the wine. I suggest that the cup itself corresponds to the firmament shell between heaven and earth, and that the liquid in the cup…
And there came a voice from heaven, saying, Thou art my beloved Son, in whom I am well pleased. And immediately the Spirit driveth him into the wilderness. And he was there in the wilderness forty days, tempted of Satan; and was with the wild beasts; and the angels ministered…
In the Bible, bread (and beer, usually translated “strong drink,” liquid bread made from grain) is priestly and wine is kingly and prophetic. Bread comes first and wine later. Bread is alpha food while wine is omega food. You eat bread in the morning and drink wine at night. Bread…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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