Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
A couple of decades ago, when I was a young Reconstructionist (instead of a middle-aged post-Reconstructionist), I coined the phrase "political polytheism" to describe how modern evangelical Christians approach matters of social law and politics. Christians want the Bible for Church and family life, but turn to other gods for…
Gary North has from time to time taken note of some of the differences between contracts and covenants. For him, one of the most important is the oath-character of a covenant. Naturally, the English terms "contract" and "covenant" can be used with varying nuances by different writers, and their zone…
The Book of Chronicles is the last book in the Hebrew Canon of the Old Testament. The word "canon" means "authoritative list" when used in connection with the Bible. What we call the Hebrew Canon consists of 24 books arranged in three major divisions: the Law, the Prophets, and the…
by: Peter Leithart and James Jordan The Book of Kings is structured chiastically, or concentrically. To see this clearly, we start in the middle and work our way outward. 2 Kings 3–7 record the central events of the ministry of Elisha. Elisha makes his first appearance in 1 Kings 19:19-21,…
(The following is a supplement to my book, God’s War Against Humanism , a study of the book of Judges, available from Biblical Horizons for $20.00 – a photocopy of the original book, which is now out of print). The turning point in the book of Judges is 8:22-28. Here…
From time to time I am asked how I think the Lord’s Supper should be done. This essay is my response to that question. To start with, we should agree that the Lord’s Supper is the only ritual we are obligated to do in the New Covenant on a routine…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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