Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
But Michael the archangel, when he disputed with the devil and argued about the body of Moses, did not dare pronounce against him a railing judgment, but said, "The Lord rebuke you" (Jude 9). Jude 9 raises several difficulties (though not insuperable difficulties) for conservative commentators. The event that Jude…
The prophecy of Jude concerns apostasy. An illustration of apostasy and its consequences is found in verse 6, which the New American Standard Bible translates this way: "And angels who did not keep their own domain, but abandoned their proper abode, He has kept in eternal bonds under darkness for…
One of the most pressing problems facing Christians today is how the faith relates to the crises of our civilization. On all sides, Christian spokesmen are trying to offer solutions and perspectives on social issues, in order to try and reform our degenerating society. Abortion, pornography, homosexuality, immigration, war, criminal…
In the last several months, a number of people have written or phoned to ask me why I and the other men of Geneva Ministries are remaining in a tiny Presbyterian denomination, rather than joining a large, historic, liturgical body. The question arises, it seems, because in my writings and…
One of the unrecognized and most deadly evils of modern life’s facets is Chinese food. Most people are wholly unaware of the critical nature of the Chinese food question, and blithely continue to participate in this wicked and dangerous activity: eating Chinese food. Of course, to speak against such a…
Showing page 309 of 309
Showing page 7 of 43
Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
Showing page 2141 of 2212
Your weekly digest for all things Theopolis.
