Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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Biblical writers often use "text painting": the form of the text portrays the topic of the text. The first half of the flood narrative describes the rising waters, steadily raising the ark toward heaven. The second half describes the descending waters. At the center: "Yahweh remembered Noah" (Genesis 8:1). Rise,…
A response to Jordan Ballor’s review of my Creator , which was published at Acton.org on August 12. 1. Ballor says that, to avoid pantheism or panentheism, God’s identity as creator must be “relative, secondary, or conditional.” He rightly says that I argue the opposite: “God is Creator” is the…
Jonathan Edwards didn’t think the world is a machine. At the heart of the mechanistic interpretation of Newtonian physics, he discerned, was the notion that “bodies” are (in Robert Jenson’s words) “the sort of thing that either can or cannot act ‘properly by themselves.’” The mechanistic world picture involved an…
Joshua Jipp argues that Paul's Areopagus address contains both critique and propaganda, critique of Athenian superstition, lust for novelty, and idolatry, and propaganda in favor of Christian faith as a more consistent fulfillment of the aspirations of Hellenistic philosophical theology. Much of the critique, Jipp shows, is drawn from Isaiah's…
Cobbling together some notes for a lecture series, I was reminded of Seamus Heaney's little poem, " Anahorish ." The Gaelic name means “place of clear water,” as the first line indicates, and the etymology suggests a place of purity and innocence. Anahorish was near Heaney’s childhood home in County…
In an article in the Harvard Law Review from the early 1980s, Robert cover explores the relation of legal structure and narrative. His analysis has wide-ranging legal, political, and even theological import. Cover states the thesis early: We live in “normative universes,” social worlds that distinguish between right and wrong,…
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