Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Optimism is “an inclination to put the most favorable construction upon actions and events or to anticipate the best possible outcome.” 1 On the other hand, pessimism is “an inclination to emphasize adverse aspects, conditions, and possibilities or to expect the worst possible outcome.” We can see that optimism and…
If we wish to understand the Tree of Life and the Tree of the Knowledge of Good and Evil, we must begin with seeing them as a part of the creational order. Trees, along with plants and seed-bearing things, come to life by the word of God as part of…
“I chant slips and irreversible disasters, wiltings, failures, scars, the little disappointments and the large, blue streaks down a world that wishes it was only suncolors.” Paul J. Pastor from Kintsugi Song I recently lost something very valuable. Something I’d had for years and used every day. But, it wasn’t…
In his eponymous book, Jonah follows an exodus pattern. He travels through the waves and east of the city into the wilderness. On a first reading, it looks like another use of this common literary shape in the Old Testament: salvation through the waters of death and the wilderness of…
“Everyone serves the good wine first, and when people have drunk freely, then the poor wine. But you have kept the good wine until now.” The unknowing master of ceremonies didn’t know how right he was. We see this play out in John’s apocalypse. The end is like the beginning,…
Read in isolation, The Test of Adultery (Num 5:11-31) presents the reader with a seemingly bizarre ritual, conjuring up ideas bordering on the Salem Witch Trials. Beyond this, pressing questions linger—such as, “Why is the woman in particular singled out, while no test is provided for the husband of a…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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