Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Hearing, Seeing, and History God is Word, not picture. He speaks, but He is not visible in Himself. Thus, God initiates history through language. He speaks the world into existence, and speaks to us to bring us out of formlessness and emptiness into the fullness of being His Bride. Similarly,…
The consensus of modern critical scholarship is that the book assigned to Isaiah was in fact composed by several different hands. "Deutero-Isaiah" supposedly begins with Isaiah 40:1. There are many good reasons for rejecting this conclusion. Among these, the narrative pattern of chapters 36-39 is a neglected piece of evidence.…
Eugen Rosenstock-Huessy has pointed out throughout his many fascinating and occasionally quixotic writings and lectures that human life exists in four directions. These four directions are inward, outward, backward, and forward. In this article I want to explore these as they relate to the work of the Church. Each of…
14. Joseph and Judah Genesis 38 tells us about Judah’s sons and grandsons, and if we try to get these events into the time before the descent of the Hebrews into Goshen, it is very difficult to do so. But this passage is almost certainly dischronologized. Thematically Genesis 38 is…
From time to time I am asked what is good SF and fantasy that teenagers in Christian and home schools might enjoy. The following brief discussion is my answer that question. I’ve tried to point out authors and stories that are not widely known, and therefore have set aside G.…
"And many of those who sleep in the dust of the ground will awaken, some to life everlasting and others to disgrace, to contempt everlasting." This verse is often cited as proof that there was a belief in the resurrection of the body in the Old Testament times. In fact,…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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