Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
While controversies over the writings of Paul continue in various corners of the intellectual globe, the word of God given through Paul and his scribe and all of the church’s interpreters and translators over the last two millennia is still readily available to the lofty and the lowly. Paul, as…
The second in a series of studies in Deuteronomy. Deuteronomy 22:30: A man shall not take his father’s wife, and shall not uncover his father’s wing (Hebrew: kanaf ). There are a number of unusual features in this law that mark it out from the previous context, indicating that it…
The texts of Christianity have been slowly at work, under the power of the Holy Spirit for 2000 years now. If we could be magically transported back into the world of two millennia ago, modern Americans would be shocked at the cruelty of that world. There was no concern for…
The Story of the Gadarene Madman is told in all three synoptic Gospels (Matthew 8:28-34, Mark 5:1-20, Luke 8:26-37). Jesus ventures into a Gentile area when He passes over the Sea of Galilee. Upon disembarking from his boat, he is immediately met by a demon-possessed madman. Upon meeting Jesus, he…
Part 1 of a multi-part series of studies on Deuteronomy 22:30-23:8. Eric Auerbach, in his classic work on Western literature, devotes his first chapter to contrasting Homer with the Bible. Of Homer, he writes of the “need of Homeric style to leave nothing which it mentions half in darkness and…
Trinity House Fellow James B. Jordan will be a speaker at an International Conference on Biblical Symbolism that will be held in Seoul on Monday, May 27 in 2013. He will address "The Importance of Biblical Symbolism and Symbolic Interpretation of the Bible." The conference will have three other speakers…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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