Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 4. The Three Basic Phases of the Covenant We have introduced the three phases of the covenant, from childhood to adulthood to full maturity. Let us look more fully at…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 3. Covenant Maturation Let us now turn to the application of this One Eternal Covenant into history. We have been looking at Covenant Theology. Covenant Theology has to do with…
Hymn Bark is a series designed to purify our good hymns from errors, and purge some bad ones. Here is chapter 2: Not really much wrong with this hymn, though I wish musicians would teach the congregation how to sing it. Routinely the note at the end of line 3…
I begin here a series of criticisms of hymns commonly sung in Reformed and Presbyterian circles. I begin with the hymn “I bind myself,” commonly called “The Lorica. There is only one textual problem with the usual sung version of this, and that is the phrase “eternal rocks.” Obviously that…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 2. What is the Covenant? There are many and varied descriptions of what the Bible means by the word “covenant” (Hebrew: berith). We are tempted to write that there are…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 1. What is Meant by Biblical Theology “Theology” is language (logos) about God (theos). We can distinguish two broad kinds of theology: Biblical Theology and Ecclesiastical Theology. Biblical Theology concerns…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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