Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I think I want to respectfully disagree with Doug Wilson here . I understand him to be saying that if a candidate for elective office won that office through election fraud, that he would not really hold that office even if he was installed. I don’t have any comment to…
When I was a young girl, each Christmas my grandmother would send us a sweet little ornament to hang on the tree. I still have many of those ornaments decorating my home. For a few years in a row, she selected ornaments with people from around the globe smiling or…
I am a man. I came from a man. I have been around many men. I read books about men. Occasionally I have the opportunity to directly disciple men. And now that I have a son I have the great responsibility of teaching him to be a man. One may…
It seems at least sane to believe that past societies experienced upheaval and disarray quite like what we are experiencing today. Perhaps we are witnessing something altogether new or greater in degree than what peoples witnessed in the past, but it doesn’t seem likely. History is filled with fissures and…
“But for those of us to whom urban life is necessary and who cannot forego eating men, it is to our advantage to frequent the countries where one finds the most of them.” -Rousseau At All Saints Anglican in Honolulu, where I serve as rector, it has been our practice…
The Scriptures are replete with stories of deception. And often, strangely, it is those who we regard as righteous who are doing the deceiving. And, even more strangely, their deception is often rewarded, or even praised. Consider Jacob, Tamar, the Egyptian midwives, Rahab, to name just a few. Frustratingly for…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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