Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In my last essay, we saw how consumer culture has gutted the familial category necessary to understand the church. When a consumer visits a church, he expects another service-provider, such as a hospital or a restaurant. He doesn’t understand the role of men in ministry, and thus, not the role…
First time visitors to our church sometimes express their surprise that children, even the youngest, participate with their parents in the entire worship service. Many congregations created an expectation for the parents (and children) of Sunday School or Child Care being available during the entire worship service or during the…
Quantifying the Love of God “For God so loved the world that he gave his only begotten son, that whosoever believes in him should not perish, but have everlasting life” ~ John 3:16 This most beloved verse in all the Bible was spoken by the Savior himself to Nicodemus. As…
While The Lord’s Prayer enjoys wide recognition throughout the Church, its richness and depth may be unrealized due to a lesser familiarity with, what I will argue is, its primary inspiration: the Tabernacle. There, Christ’s intent can rightly be discerned. The Prayer’s methodological correction to the Jews and Gentiles wasn’t…
The Consumption of the Covenant Idea of the Church Last time we saw consumerism, having canalized its attitudes in our culture, shapes what the consumer sees when he or she steps into a church. Here, we’ll see how it has eviscerated the covenant and familial ideas necessary to understand the…
The ignoble Jayber Crow can stir your appetite for the noble. It’s the simplicity of a good ol’ Port William boy that builds the charm of the book. In fact, the elitists in Port William receive the harshest blows and severest outcomes, as they should. But before delving into the…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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