Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
G.K. Chesterton assumes a surprising and memorable perspective from which to view the events of Palm Sunday (Matthew 21:1-11) The Donkey by: G.K. Chesterton When fishes flew and forests walked And figs grew upon thorn, Some moment when the moon was blood Then surely I was born. With monstrous head…
There is a common biblical principle: you must give back what you steal. In the Bible, restitution is repayment with interest. If you rob someone of their money, you have to pay back double what you stole. A thief must pay back fourfold if he steals a sheep, and if…
Identifying Isaiah’s suffering servant with the promised Messiah is unthinkable for a Jew because it combines the offices of humble priest and victorious king. While it is frustrating that Jews refuse to see the sufferings of Christ in Isaiah 53, the reluctance of Christians to interpret the passage in its…
Let everything that has breath praise the Lord! Praise the Lord! Psalm 150:6 (ESV) The command to praise God is pervasive throughout Scripture. In the verse above the Spirit calls all things with breath to praise the Lord. Song is also clearly featured all throughout Scripture and is a featured…
“Gender is a social construct.” That’s shocking to people who have assumed that gender and sex were synonyms but at least since I was in college, in the ‘80s, we were taught that “gender” refers to the forms, the customs, the traditions that our culture teaches us to define what…
In Genesis 49, Jacob prophesies about (blesses and curses?) his twelve sons. The first three of them don’t fare well. Jacob recalls Reuben’s offense of taking his concubine (Genesis 35:22) and the murderous violence of Simeon’s and Levi against the Canaanite inhabitants of the city of Shechem (Genesis 34). He…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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