Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When God created Adam, He gave him both a vision and a responsibility. The big vision was the Dominion Mandate. The more specific calling was to cultivate and guard the Garden. God also told Adam about the gold of Havilah, which was good and beautiful (that is how the Hebrew…
After the death of Jan Hus (1369–1415), his successors, the Hussites, began to develop his thoughts on the theology and practice of the Church, particularly on= the question of the lay chalice. This time, however, it was not a question of whether this should be permitted at all—after all, this…
Imagine a friend of yours got involved in a commune, one of the really crunchy ones that does their own farming and such along with poetry nights and music and art. They’re pretty good at all this, actually. They’re using some really interesting permaculture practices at the communal farm, the…
Genesis 22, the story of Abraham’s near-sacrifice of Isaac, is one of the more well-known typologically dissected passages in the Bible. But just for the sake of dotting “i”s, here is a quick rundown: The promised son’s appearing was awaited a very long time (Genesis 12:4; 15:2–3; 16:16; 17:17; 21:1–5;…
A Narrative Sermon on Luke 22:24-46 As Luke walked through the rain toward the corner house he was apprehensive. That surprised him. He knew all along that this was the climax of the process—that he would have to present his work to these men before it could be copied and…
In 2004, an article by Slavoj Žižek appeared in Psychoanalytic Review entitled, ‘What Can Psychoanalysis Tell Us About Cyberspace?’ One of the answers that Žižek offers is that cyberspace creates an environment within which the consumer gets to play in a world where there is no God. In his use…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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