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Political Hermeneutics: The Argument From Silence, Part 2

Click HERE for part 1. III This leads to a further question. I have argued that silence cannot by itself establish a Scriptural principle, but does Scripture’s silence carry any weight in itself? Does the fact that something is unbiblical in a weak sense tell us anything at all? In…

by Peter LeithartMarch 13, 1990
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Biblical Chronology

Groping Through the Gaps

Although nowadays gap theories are associated with dispensationalism, it was not always so. In the nineteenth century, scholars from a variety of backgrounds (Anglican, Reformed, and proto-fundamentalist) seem to have become fascinated by gaps. If you are not familiar with what I am talking about, this newsletter will acquaint you…

by James B. JordanFebruary 26, 1990
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Abortion

Political Hermeneutics: The Argument from Silence, Part 1

If the debate over Operation Rescue has proven anything, it has proven that there is absolutely no consensus among evangelicals in general, or among "reconstructionists" in particular, about how to use the Bible to judge political actions and movements. Each side of the debate claims biblical authority for its position,…

by Peter LeithartFebruary 13, 1990
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Biblical Studies

Advice From a Sojourner, Part 4

Two things I asked of Thee, Do not refuse me before I die: Keep deception and words of falsehood far from me, Give me neither poverty nor riches, Feed me with the food that it my portion, Lest I be full and deny Thee, And say, "Who is the LORD?"…

by James B. JordanFebruary 2, 1990
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Biblical Horizons

Foucault’s Pendulum

Umberto Eco’s "The Name of the Rose" was certainly one of the best literary works of the past decade, though the film version hardly measured up to it. Now Eco has given us a new novel, "Foucault’s Pendulum." Like Rose, Foucault’s Pendulum reflects on the limitations of human knowledge, and…

by James B. JordanJanuary 26, 1990
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Biblical Studies

What Is “Interpretive Maximalism”?

From time to time people ask me about "interpretive maximalism." They want to know what it is, and sometimes want to know if it represents some departure from the Reformed grammatico-historical, Biblico-theological approach to the Bible. I have something of a problem with these questions, because "interpretive maximalism" is not…

by James B. JordanJanuary 26, 1990

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Music of Light

Jonathan Ree’s delightful I See A Voice glances at Enlightenment-era efforts to work out analogies between color and musical harmonies. Newton’s Optics was key. He argued that “just as all different tones can be located on a single scale running from the highest to the lowest pitch of audible sound,…

March 29, 2014

Phenomenology of Sound

We don’t hear sounds, Heidegger said. That’s an abstraction. What we hear are things making sounds - “the creaking wagon, or the motor cycle . . . the column on the mark, the north wind, the woodpecker tapping, the fire crackling” (quoted in Jonathan Ree, I See A Voice ,…

March 29, 2014

Expression or Echo?

Voice has often been seen as expression, as the coming into public space of something within. Given its reliance on breath, it was easy to conclude that voice is the expression of the soul. According to Ree ( I See A Voice ), it was Herder who broke through this…

March 29, 2014

Word among words

Diane Thompson concludes her essay in Dostoevsky and the Christian Tradition with this superb description of the place of God’s Word in the words of Dostoevsky’s novels, and his characters: “Dostoevsky’s feeling for the dynamic aspect of the Logos was exceptionally strong, as was his gift for making it a…

March 28, 2014

Witness, Judge, World

Consciousness enters the world and the stones remain stones and the sun the sun. Still existence becomes completely different when consciousness arises, Bakhtin argues in Speech Genres . This happens become the coming of consciousness is the coming of “the witness and the judge” (137). “A stone is still stony…

March 28, 2014

Whores with Hearts of Gold

Nabokov didn’t much like Dostoevsky. What interests him in literature is “enduring art and individual genius,” and from this viewpoint Dostoevsky is mediocre: “with flashes of excellent humor, but, alas, with wastelands of literary platitudes in between” ( Lectures on Russian Literature , 68). His characters are mentally unbalanced, his…

March 28, 2014

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