9 articles
Exposing Nakedness “Picasso did not paint for the eyes but for the gut. He painted for the gut that the eyes might be opened.” I was at ease, and he broke me apart; he seized me by the neck and dashed me to pieces. (Job 16:12) One only has to…
Of course, the title should be something like, “The Fall of the Angel Who Came to be Satan,” but that and other more accurate titles are too cumbersome. The question is: who is Satan, and when and how did he become “Satan” (Adversary, Accuser) and the “devil” (slanderer)? By my…
What to do with Job’s Final “Friend,” Elihu Elihu is a strange character, at least in the sense of how and where he appears in the book of Job. Why does he not appear with the other three “friends?” Does his argument differ from any of the first three who…
In my first post I noted that the parables of Jesus were not simply illustrative stories. They are really nothing like the kind of simple, homely illustrations that preachers often use to explain difficult concepts to their congregations. Just to be clear: there’s nothing wrong with illustrating one’s sermonic statements.…
Leviathan (41:1-11) is the climax of the theophany, the culmination of the Lord’s speech. His final answer to Job’s injudicious charges against God’s justice. After hearing God rehearse the characteristics of Leviathan and His absolute power over him, Job instantly repents in dust and ashes. He confesses, "I know now…
Yahweh’s two speeches at the end of the book of Job (38-41) should bring some closure to the book. The prologue has the whole cosmic order arrayed against the blameless and upright Job, "a man who feared God and shunned evil" (1:1, 8; 2:3). Yahweh’s capstone speeches affirm God’s absolute…
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