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Writing

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Esther

Genesis 1 and Genesis 8

I mentioned last month ( BH 82) in my essay "Like a Dove" that Genesis 8 is a recapitulation of Genesis 1. Let me explicate that assertion here. Of course, the world after the Flood is a new creation, so we may expect a recapitulation of the first creation. It…

by James B. JordanMarch 28, 1996
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Daniel

Esther: Historical & Chronological Comments (I)

The book of Esther is one of the most neglected of the books of the Bible. To be sure, sermons are preached on it, and commentaries have occasionally been written on it, but almost without exception Esther has been interpreted in isolation from the rest of Biblical history, chronology, and…

by James B. JordanMarch 28, 1996
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Biblical Horizons

A Letter on Geocentricity

Dear Mr. ______, . . . Here is how I look at the geocentricity question. Since I don’t recall what I wrote you before, I may be repeating some things. 1. The Bible does not teach it. Biblical passages used to support the idea are being misinterpreted. My original paper…

by James B. JordanMarch 28, 1996
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Biblical Horizons

What is God?

Answer 4 of the Westminster Shorter Catechism is often taken as a magnificent answer to the question, "What is God?" It reads: "God is a Spirit, infinite, eternal, and unchangeable in his being, wisdom, power, holiness, justice, goodness, and truth." Presbyterians are fond of praising this statement, preaching on it,…

by James B. JordanFebruary 28, 1996
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Baptism

Like a Dove

The gospels tell us that at Jesus’ baptism, the Holy Spirit descended upon Him "in bodily form like a dove" (Luke 3:22 & parallels). Biblically sensitive commentators have associated this event with three Old Testament parallels: (1) the hovering of the Spirit over the creation in Genesis 1:2; (2) the…

by James B. JordanFebruary 28, 1996
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John

Jesus at Belshazzar’s Feast: Being an Explanatory Disquisition on an Aspect of the Story of the Woman Taken in Adultery

This they said to test him, that they might have some charge to bring against him. Jesus bent down and wrote with his finger on the ground. (John 8:6) The story of the woman taken in adultery (John 7:53-8:11) has been part of the canonical Christian Bible from its earliest…

by James B. JordanFebruary 28, 1996

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Philosophy

Autonomy and Tragedy

Early in his Tragic Sense of Life , Unamuno captures the profound connection between autonomy and tragic character in a passage of hyperventilating passion: “The visible universe, the universe that is created by the instinct of self-preservation, becomes all to narrow for me. It is like a cramped cell, against…

December 10, 2003

Chiasm in Romans 3:19-31

There’s something chiastic going on in 3:19-31 (or maybe 2:25-3:30). A. by works of law no flesh shall be justified, 19-20 B. Apart from law, righteousness of God is revealed, 21 C. righteousness through faith in Jesus—> for all have sinned, 22-23 D. being justified as a gift through Jesus…

December 10, 2003
Literature

Spenserian Humor

A touch of Spenserian humor: Spenser has a witch create a false Florimell (Book 3) for her slothful and unattractive son, who is smitten with the beauty of the real Florimell. The witch uses materials from Petrarchan love sonnets to construct the lady ?Eactual lamps for eyes, actual golden wire…

December 9, 2003
Literature

Spenser and Milbank

Spenser might provide a Milbankian response to Milbank’s endorsement of homosexual sex and “threesomes.” In Book 3 of The Faerie Queene , Spenser’s heroine is Britomart, the lady knight who represents a militant chastity directed toward marital and sexual consummation rather than a fearful virginity that simply avoids sex. Britomart…

December 9, 2003
Literature

Hero and Eros

William Allan Oram in a book on Spenser writes that “one of the fruitful false etymologies of the Renaissance was the derivation of HERO from EROS: by this understanding, love does not hinder noble deeds but spurs them on.”

December 9, 2003
Literature

Shakespeare for Readers

Also in the November 7 TLS (belatedly on my desk) is a review of Lukas Erne’s Shakespeare as Literary Dramatist , in which Erne challenges the popularly accepted notion that Shakespeare was writing for viewers rather than readers. He shows that plays were being written for publication in Shakespeare’s time,…

December 9, 2003

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