Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We are too used to reading the Gospels’ stories of Jesus’ arrest, trial, condemnation, and death from a devotional perspective and so we miss a lot of what’s going on. We actually have a difficult time trying to figure out the meaning of the details of the story. Of course,…
This is the first in a series of essays on "Continuing the Reformation." Many different churches descend from the original Protestant Reformation, and those that are the most conservative are often insistent that they are largely if not completely true to the Reformation, or to the branch from which they…
Trinity House fellow James B. Jordan will be teaching a one-day seminar on "How to Read the Bible for the First Time . . . Again" next Friday, February 22, in North London. The event is sponsored by Emmanuel Evangelical Church, Southgate, costs 20 pounds (10 for theology students) and…
Audio Reading of this Post https://theopolis-blogcast.simplecast.com/episodes/a-primer-on-ash-wednesday What is Ash Wednesday? Ash Wednesday is the first day of Lent, a season focused on the sufferings and cross of Jesus. But Jesus’ death on the cross cannot be separated from the cross we are called to bear in union with him, so…
Welcome to the Trinity House web site. It’s unfinished, as you’ll soon discover, but it’s more finished than it was, and for that we are very grateful. Thanks to David Dalbey for the design, and to my son Sheffield for the execution. Trinity House exists to advance the reformation of…
In our I hope brief blog-versation, Doug Wilson has posted a couple more things to think about. In one he asks who our father/Father is. We either have God or the devil as our father. Well, yes and no. I’m with Doug in what he’s getting at, I think, but…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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