Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I mentioned last month ( BH 82) in my essay "Like a Dove" that Genesis 8 is a recapitulation of Genesis 1. Let me explicate that assertion here. Of course, the world after the Flood is a new creation, so we may expect a recapitulation of the first creation. It…
The book of Esther is one of the most neglected of the books of the Bible. To be sure, sermons are preached on it, and commentaries have occasionally been written on it, but almost without exception Esther has been interpreted in isolation from the rest of Biblical history, chronology, and…
Dear Mr. ______, . . . Here is how I look at the geocentricity question. Since I don’t recall what I wrote you before, I may be repeating some things. 1. The Bible does not teach it. Biblical passages used to support the idea are being misinterpreted. My original paper…
Answer 4 of the Westminster Shorter Catechism is often taken as a magnificent answer to the question, "What is God?" It reads: "God is a Spirit, infinite, eternal, and unchangeable in his being, wisdom, power, holiness, justice, goodness, and truth." Presbyterians are fond of praising this statement, preaching on it,…
The gospels tell us that at Jesus’ baptism, the Holy Spirit descended upon Him "in bodily form like a dove" (Luke 3:22 & parallels). Biblically sensitive commentators have associated this event with three Old Testament parallels: (1) the hovering of the Spirit over the creation in Genesis 1:2; (2) the…
This they said to test him, that they might have some charge to bring against him. Jesus bent down and wrote with his finger on the ground. (John 8:6) The story of the woman taken in adultery (John 7:53-8:11) has been part of the canonical Christian Bible from its earliest…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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