Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The trailer for the latest Star Wars movie, Rogue One: A Star Wars Story , was released last week. Following the success of the revival of the franchise in last year’s Star Wars: The Force Awakens , anticipation is unsurprisingly at a fever pitch. As in the case of The…
The word, “integration,” can sound abstract, technical, unhelpful. But as I represented it in my first installment on this matter , I take it instead to be the central desire of our lives. We long to integrate life, and to integrate ourselves. I offered as a preliminary definition, that integration…
Anyone who has read his Bible straight through has done it. Admit it. When you get to those parts in Exodus that deal with the instructions for and construction of the Tabernacle, your eyes glaze over and your mind begins to wander. Measurements, lists of materials, meticulous details about clothes…
This article is a continuation of James Jordan's article, " From Bread to Wine ". We will here investigate the use of the word “cup” for the wine. I suggest that the cup itself corresponds to the firmament shell between heaven and earth, and that the liquid in the cup…
And there came a voice from heaven, saying, Thou art my beloved Son, in whom I am well pleased. And immediately the Spirit driveth him into the wilderness. And he was there in the wilderness forty days, tempted of Satan; and was with the wild beasts; and the angels ministered…
In the Bible, bread (and beer, usually translated “strong drink,” liquid bread made from grain) is priestly and wine is kingly and prophetic. Bread comes first and wine later. Bread is alpha food while wine is omega food. You eat bread in the morning and drink wine at night. Bread…
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Ibsen, Steiner argues, did not write tragedies. Ibsen wrote “dramatic rhetoric” calling society to reform. For real tragedy, there is no such “solution” to be found, there is no remedy, except destructive sacrifice and perhaps a deus ex machina. From this angle, tragedy is perhaps among the STOICHEIA that prepared…
Some more quotations from Steiner’s Death of Tragedy : “We cannot understand the romantic movement if we do not perceive at the heart of it the impulse toward drama . . . . The romantic mode is neither an ordering nor a criticism of life; it is a dramatization. And…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Some thoughts on NT Wright’s Rutherford House Lecture, August 2003. I have little disagreement with much of the lecture, and it clarified a number of things for me. Wright’s views on justification, however, continue to puzzle me at a number of points. Here’s an attempt to clarify my (or NTW’s)…
Steiner notes that, following the Renaissance, European drama operated under the shadows of neo-classical and Elizabethan dramatic practice, the former “closed” and rigidly adhering to Aristotelian criteria, the other open and experimental. He discusses the theory of Thomas Rymer (a neo-classicist) at some length, concluding that the controversies that Rymer…
George Steiner in his Death of Tragedy describes the “Shakespearean difference” as mainly due to Shakespeare’s avoidance of fascination with Hellenic models: “The neo-classic view [which rigidified Aristotelian conceptions of tragedy] expresses a growing perception of the miracle of Greek drama. This perception was fragmentary. There were few translations of…
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