Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I thought it might be good to put this up here, since it is 14 years old, and itself reflects earlier discussion. From this you can see that we at BH have been considering this notion for quite some time. Clearly, the last word has not been said. — James…
Hopefully, my commentary on James will be out later this year. But here are a few chiasms for your consideration. I think the James 5 chiasm orginally came from Doug Jordan. The entire book of James is focused on how the pastors and leaders (“brothers”) of the church use their…
In my first post I noted that the parables of Jesus were not simply illustrative stories. They are really nothing like the kind of simple, homely illustrations that preachers often use to explain difficult concepts to their congregations. Just to be clear: there’s nothing wrong with illustrating one’s sermonic statements.…
Ephesians is often treated as a pure type example of the Pauline method that “the indicative preceds the imperative.” But what Paul does first is pray . Simply reading verse 3 and following involves readers in a prayer of thanksgiving to God–and much more so for those listening to the…
Yesterday, I took part with my oldest son in a church-sponsored city outreach project (not because I’m especially prone to such behavior but because my son has a Boy Scout requirement that this would help him meet). Before we were sent out on our various jobs, the leader gave a…
There is a scene in Prince Caspian , the second in C. S. Lewis’s Chronicles of Narnia that helps explain why it is we have four Gospels, that is four accounts of the Good News of Jesus Christ—Matthew, Mark, Luke, and John. It is the account of Lucy’s longed-for experience…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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