Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I thought it might be good to put this up here, since it is 14 years old, and itself reflects earlier discussion. From this you can see that we at BH have been considering this notion for quite some time. Clearly, the last word has not been said. — James…
Hopefully, my commentary on James will be out later this year. But here are a few chiasms for your consideration. I think the James 5 chiasm orginally came from Doug Jordan. The entire book of James is focused on how the pastors and leaders (“brothers”) of the church use their…
In my first post I noted that the parables of Jesus were not simply illustrative stories. They are really nothing like the kind of simple, homely illustrations that preachers often use to explain difficult concepts to their congregations. Just to be clear: there’s nothing wrong with illustrating one’s sermonic statements.…
Ephesians is often treated as a pure type example of the Pauline method that “the indicative preceds the imperative.” But what Paul does first is pray . Simply reading verse 3 and following involves readers in a prayer of thanksgiving to God–and much more so for those listening to the…
Yesterday, I took part with my oldest son in a church-sponsored city outreach project (not because I’m especially prone to such behavior but because my son has a Boy Scout requirement that this would help him meet). Before we were sent out on our various jobs, the leader gave a…
There is a scene in Prince Caspian , the second in C. S. Lewis’s Chronicles of Narnia that helps explain why it is we have four Gospels, that is four accounts of the Good News of Jesus Christ—Matthew, Mark, Luke, and John. It is the account of Lucy’s longed-for experience…
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Carey Ellen Walsh ( Exquisite Desire ) points to the difference between classical responses to desire and the account of desire in the Song of Songs.  Using Odysseus and the Sirens as an illustration, she notes how this scene reveals the Greek instinct that desire “harbors danger by rendering its…
Love is as strong as death.  But no stronger.  It’s a standoff. No, Jenson says: “death does not allow of stalemates.  If love binds lovers even in death’s despite, death is overcome by love.  Nor does the grave allow of partial retrievals; if it yields its prey, then its jealousy…
Barthian that he is, Jenson gets the point of the Song’s “seal on my heart” just right: Jesus’ “death has made us the seal of his identity: he dies ‘for’ us, in identification with us.  Now he is not what he is without us; he did not go into death…
Robert Jenson ( Song Of Songs (Interpretation, a Bible Commentary for Teaching and Preaching) ) notes that Song of Songs 8:6-7 contains “pervading reference to the myths of Israel’s religious milieu: ” Mot can indeed be translated simply ‘death,’ but it is also a proper name, for the Canaanite god…
Jealousy refers to a relentless and exclusive passion and attachment.  For Solomon, it is as hard as the grave.  Once someone goes into the grave, the grave doesn’t let him back up; once it takes hold, it doesn’t let go.  Jealousy is like that.  It is “that aspect of love…
Given the “canon” that Scripture speaks “doubly” of Christ (sometimes divinely, sometimes humanly), it would seem easy for Athanasius to shuffle passages about the Father giving and the Son receiving to the “humanity” side of things.  He doesn’t, and He’s right.  The Son has all that the Father has, and…
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