Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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Elias notes that table manners reflect social relations more generally: “People who ate together in the way customary in the Middle Ages, taking meat with their fingers from the same dish, wine from the same goblet, soup from the same pot or the same plate . . . - such…
Elias again: “In the eleventh century a Venetian doge married a Greek princess. In her Byzantine circle the fork was clearly in use. At any rate, we hear that she lifted food to her mouth ‘by means of little gold forks with two prongs.’ “This gave rise in Venice to…
Elias suggests that the blossoming of German literature in the late 18th century was largely led by middle-class writers and thinkers whose tastes and styles ran directly counter to the Francophile culture of Frederick’s court: “This German literary movement, whose exponents included Klopstock, Herder, Lessing, the poets of Sturm und…
A couple of weeks ago, I quoted Frederick the Great’s judgment that Shakespeare’s plays were fit only for “savages of Canada,” what with their “jumble of lowliness and grandeur, of buffoonery and tragedy,” their sins “against all the rules of the theatre, rules which are not at all arbitrary.” Frederick…
A few scattered notes on this section of John’s first epistle. 1) There is a repeated emphasis on the contrast between word and action, word and walk. Three times John uses the clause “if we say that” (1:6, 8, 10), and another three times he uses “the one who says”…
INTRODUCTION John’s gospel is about the character of God: He proclaims that God is light, and has no darkness at all (1:5). This gospel comes with the demand to walk in the light (1:6). What does that mean? THE TEXT “This is the message which we have heard from Him…
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